Tombstones in Their Eyes Releases New Album, Looking for a Light Tombstones in Their Eyes has been developing their brand of meditative shoegaze since the mid-2010s. Starting as a collaborative songwriting project between childhood friends, John Treanor and James Cooper, in which they drew on their own experiences as youths in the Southern California punk scene, the duo has been releasing music, collaborating with
Author: Libby Giannechini
CAPPA Shines on New Single, “Colder”
“Colder” is the newest single from electro-pop artist CAPPA. The track is lush and danceable, and reflects on the emptiness at the end of a relationship with someone truly irreplaceable. CAPPA is the moniker of Carla Cappa, whose career emerged in Nashville with “Hush,” the 2015 single which first showed off her distinctive flirty, poppy style. Since then, CAPPA’s work has been heard in
The Soviet Machines Return with Self-Titled Album
After an eleven year split, Minneapolis punk rockers The Soviet Machines are officially back. Inspired by their newfound time in quarantine and the renewed friendship between founding members Jack Swagger and Marcus Jones, the band recruited new bassist in Rich Salsbury and set off to record an album with producer Jack Endino, best known for his work with Nirvana and Soundgarden. And now, to
Slow Dress Celebrates Life in New Single, “Back into my Body”
Slow Dress is Katie Solomon and Brendon Jones, a duo from Boston making dark, confessional rock. Today sees the release of “Back into my Body,” the third in a series of singles the band recorded with producer Colin Pastore, known for his work with such acts as Lucy Dacus and boygenius. The song explores the sensation of returning to presence and comfort in one’s
Quinn Debuts EP, “Depression Nap”
Back in 2019, CT-based alt pop outfit Quinn released “Give it a Go,” an anthem for young love in which two people who might not be at the greatest places in their current lives decide to try to make it work. The single features groovy, driving guitar and soaring vocals. Today, it’s nestled in as the third track on Quinn’s debut EP, “Depression Nap.”
